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ByWangRuoxin,WangJinhong,ZhangJunyeAstheSpringFestivaloftheYearofDragondrawsnear,manyfolkartistshave
ByWangRuoxin,WangJinhong,ZhangJunyeAstheSpringFestivaloftheYearofDragondrawsnear,manyfolkartistshaveunveiledtheirremarkablecraftworkscenteredaroundtheYearoftheDragon.Theprogram“ChineseDragoninFolkArt”exhibitsthedragon’sartisticrepresentationsthroughdiverseformsofintangibleculturalheritage,whichnotonlyhighlightstherichnessofthisculturallegacybutalsounderscorestheparamountsignificanceofthedragoncultureandChinesezodiaccultureinChinesecivilization.Theartisticdepictionsofthedragonsymbolizeauspiciousnessandvitality,whicharethetotem’spositiveattributes.Throughtheirartisticworks,inheritorsareexpressingtheirwishesforanewyearmarkedbyelevatedlivesandrobusteconomicgrowth.Inthefirstepisode,theprograminvitedChenYumei,adistinguisheddistrict-levelinheritoroftheintangibleheritageofpapercuttingfromFengtaiDistrict,Beijing.Sheshowedusthecollectionofdragon-yearpapercuttingartworksshecrafted.Notably,herpapercuttingmasterpiece,“TheSpiritofDragonandHorse,”incorporatesdragonandhorseimagessymbolizingapromisingfuture,adornedwithpeonyflowersrepresentingprosperityandblossoms.Shealsobroughtcreativeculturalproductsliketheauspiciouspillowandaspecialcalendarfortheyearofdragon.AsChenexplained,"Thedefinitionofpapercuttingistocreateasenseoftransparencyandartisticenjoymentvisually."Therefore,apartfromusingcoloredpaperasamedium,materialssuchasfabric,leather,silk,felt,goldandsilverfoil,bark,andleavescanallserveasmediumsfortheartofpapercutting.Editor:DisclaimerTheviewsandopinionsexpressedinthisarticlearethoseoftheauthor's,GMW.cnmakesnorepresentationsastoaccuracy,suitability,orvalidityofanyinformationonthissiteandwillnotbeliableforanyerrors,omissions,ordelaysinthisinformation.